She lost interest in the proceedings, because she found an article about Ted Nugent. At any rate, who makes a movie in a couple of hours in 1995 just because they are in a cabin in Lake Arrowhead, California—and they can?
This exquisitely dreadful short was actually produced so that Dean could say, “let’s split up and find out,” and so Debbie could say, “not stake, again? It’s so bad for the heart.”
And the Bach? Not only already used in Rollerball, and at least one episode of The Twilight Zone, but also employed by John Turley and David Coons in their first vampire movie, Murder in Vein. Which was filmed over a few years (or maybe it just seemed like it), and was funny and charming beyond what a one-night film like this is intended to be.
(Actually, I’m not sure how long we spent on it; we got the idea after dinner, and shot the whole thing before we crashed. But some of the owls are serious night owls, so it might have gone quite late. The next morning I woke up, and Keith was talking to Barbie, but we—he and I—weren’t talking in those days. So I pretended to sleep, and just listened for a while.)
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She looks yummy. Probably smells like pound cake. (That’s a very good thing.)